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Every taxonomy is a theory.

When an organisation buys a culture assessment, it's not just buying data. It's buying a theory — and most organisations don't know which theory they've bought.

Culture Science Cards in use

When an organisation buys a culture assessment, it's not just buying data. It's buying a theory.

The theory is embedded in the classification system — in the decision to sort behaviours into these categories rather than those ones, to weight these dimensions rather than those ones, to frame the fundamental question as this rather than that. Every taxonomy is a theory about what matters in organisational life and what questions are worth asking about it.

The problem is that most organisations don't know which theory they've bought. They see a report, a score, a quadrant. They don't see the epistemological choices that produced it.

Every taxonomy is a theory about what matters in organisational life. The problem is that most organisations don't know which theory they've bought.

The dominant tradition in culture measurement — the one behind most of the instruments your HR function has probably used — is psychometric. These instruments classify behaviours in ways that support reliable scoring, normative comparison, and statistical analysis. They're optimised for measurement accuracy: every respondent should interpret every item in the same way, so that aggregate scores mean something consistent across populations.

These are legitimate requirements for a diagnostic instrument. But they're not the only requirements a culture tool might serve.

An item designed to be interpreted identically by all respondents is, by design, an item with no productive ambiguity. And productive ambiguity — the interpretive openness that allows people with different experiences and perspectives to see the same thing differently, and to learn from that difference — is the primary engine of genuine culture dialogue.

Measurement instruments are optimised for consistency. Conversation instruments are optimised for insight. These are different design goals, and they produce different tools.

A second embedded theory in most culture instruments is the classification logic. Most instruments classify behaviours as positive or negative, constructive or defensive, effective or ineffective. This binary serves the diagnostic purpose: it locates the organisation relative to a normative standard and tells it where it falls short.

But consider what this binary does in a real facilitation room. When a behaviour is classified as inherently negative, participants who recognise it in their culture feel judged rather than understood. The conversation that follows is defensive rather than exploratory. When a behaviour is classified as inherently positive, participants agree — sometimes genuinely, sometimes performatively — and move on. Neither response produces the quality of honest, contested, specific dialogue that culture change requires.

Culture Science Cards encodes a different theory. It classifies behaviours not by their intrinsic quality but by their effect when they become habitual. It treats the fundamental question not as "is this good or bad?" but as "what happens when this becomes normal?" It optimises not for consistent measurement but for productive conversation.

These choices produce a different kind of instrument — one designed not to tell organisations where they stand but to give teams the structured dialogue through which they can see themselves clearly and decide, together, what they want to build.

The theory is still there. It's just a different theory. And one that starts from the premise that the most valuable thing a culture instrument can do is not produce a score — but produce a conversation.

Next time someone pitches you a culture tool, the most useful question you can ask isn't "what does it measure?" It's "what theory does it encode?" Because the theory determines what the conversation is. And the conversation determines whether anything actually changes.


Neil McGregor is the founder of Culture Science Cards and author of Not Good or Bad, But How Often (2025). The full paper is available on the Science page.